Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century.
Further, she demonstrates how these early modern texts were used-and misused-by later writers, performers, and inventors of spectacles, notably Mardi Gras krewes organizing parades in the American Deep South.
This collection of essays examines the vast extent to which rhetorical figures related to sickness and health-metaphor, simile, pun, analogy, symbol, personification, allegory, oxymoron, and metonymy-inform medieval and early modern ...